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标题: 夏娃的创造──米开朗基罗 [打印本页]
作者: qquchn    时间: 2008-8-6 07:42     标题: 夏娃的创造──米开朗基罗


The Creation of Eve壁画— 创作时间1508-1512
本作品收藏于西斯廷礼拜堂（Sistine Chapel），梵蒂冈城
Michelangelo Buonarroti生平（英文）
本作品相关经文：Genesis 2:21
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这位夏娃是我见过的最吓人的夏娃，这个伊甸园也是我见过的最荒凉的伊甸园。
伊甸园是一个充满生机的园子，除了各种各样的动物，还有结着丰硕果实的各样植物，但是亚当后面那个残树从断口看，是用锯子之类的工具截断的，因为十分的平整。不知道是不是那个时候，亚当就开始破坏伊甸园里面的植被了，还是怎么的？而且凭借亚当一个人不可能把这么大一个园子破坏殆尽。
最重要的一个致命伤在哪里呢？在夏娃注视着上帝的脸。不过我们注意到，在出埃及记里面有这样一段记述：
耶和华对摩西说： “你说的这件事我也答应你， 因为你蒙我恩待， 我了解你， 认识你的名。” 18 摩西说： “求你让我看见你的荣耀。” 19 上帝说： “我要尽显我的良善， 经过你面前。 我要在你面前宣告耶和华的名。 我要恩待谁， 就恩待谁； 要对谁慈悲， 就对谁慈悲。” 20 又说： “只是你不能看见我的面， 因为没有人看见了我， 还能活着。”

21 耶和华说： “我这里有个地方， 你要站在磐石上。 22 我显荣耀经过的时候， 要把你放在磐石洞中， 用手掌遮着你， 直到我过去。 23 然后我收回手掌， 你必看见我的背影， 只是看不见我的面。”

小米肯定没有看到过这节经文。
作者: qquchn    时间: 2008-8-6 07:46

The Sistine Chapel



礼拜堂内部，面对入口。左面的露台是为唱诗班准备的。

礼拜堂内部，面对讲坛.
As Pope Sixtus IV needed a chapel for domestic services he orderedthe architect Giovanni dei D-o-l-c-i(这里被论坛认为是其他论坛，连写会被过滤) to build him one. That was in 1473;the building was finished in 1481.
The Sistine Chapel is still being used by the Pope, mostly forofficial ceremonies. After the death of a pope, Roman Catholiccardinals from all over the world gather in the chapel to elect asuccessor. Today, the building is part of the museums of the Vatican.
The chapel has a rectangular shape. It measures 41 × 13 meters (134× 43 ft.) and was built using somewhat ordinary bricks. From theoutside there is nothing spectacular about the building. It has abarrel-shaped roof, topping 20 meters. On the inside, the chapel isdivided into 2 by a transenna: a fence made from marble. The part facing the altar is only accessible to priests.
Each of the two long walls has 6 large arched windows. The walls arecovered by 3 virtual rings with decorations. At floor level: tapestrydesigned by Raphael, showing scenes from the gospels and the Acts. In the middle: frescoes with scenes from the lives of Moses and Jesus. The top row, next to and between the windows, shows images of popes.
The choice to display both Moses and Jesus was no coincidence. Itwas meant to visualize the continuity between the old and the newcovenant, Moses' laws and Jesus' teachings. Originally the storiesstarted on the wall behind the altar. They still meet on the wall abovethe entrance.
The paintings on the walls and on the ceiling are widely consideredto be the peak of Renaissance art. Most praise goes to Michelangelo'sceiling and Last Judgment on the wall behind the altar.
Several popes have had their say in the development of the art inthe chapel. In that process, three phases can be distinguished:
北墙


This wall is devoted to the life of Jesus. From left to right:
南墙

This wall has frescoes with scenes from the life of Moses. From right to left:
EntranceA part of the wall containing the entrance door collapsed in 1522, destroying several frescoes: the  Resurrection of Jesusby Domenici Ghirlandaio and Luca Signorelli's fresco of the discussionson Moses' remains. They were replaced at a later date by works on thesame subjects by Hendrick van den Broeck and Matteo da Lecce.

后墙: 最后的审判

It was Pope Paul III who asked Michelangelo to decorate the wall behind the altar with a fresco showing the Last Judgment:the moment when God judges man. Previously, in the 15th century, PietroPerugino had decorated the wall with an altarpiece and 2 frescoes. Theywere related in subject matter to the side walls showing episodes fromthe lives of Moses and Jesus.
Michelangelo's fresco was inaugurated in 1541 after five years ofpainting. After the master's death most of the fresco's genitals werecovered upon the insistence of prudent priests. The fresco was restoredin 1993; the cover-ups were left as they were.

天花板

The painting of the ceiling took four years. It took its toll onMichelangelo's health: working on his back, an impressive amount ofpaint must have entered his lungs. But it was certainly worth theeffort.
After finishing the work in 1512, Michelangelo switched to makingsculptures, hardly painting anything until 1536, when he started on theLast Judgment.
The central part of the ceiling shows scenes from Genesis. On bothsides are several Biblical prophets and some sibyls: female prophetsfrom ancient times, who, according to the Church, had predicted thecoming of Jesus. Among the prophets are all the major ones: Isaiah,Ezekiel, Jeremiah and Daniel. In the lunettes above the windows anumber of Jesus' ancestors are shown, Boazbeing one of them. It is unclear who the figures in the triangularparts above the lunettes represent. The corners of the ceiling show therescuing of the Israelites, which was seen as a prelude to theSalvation.
Scenes from GenesisProphets and Sibyls(先知和女先知)

Seated above the entrance is Zechariah.（撒迦利亚） Along the northern wall, from left to right: the Libyan Sibyl, Daniel,（但以理） the Sibyl from Cumae, Isaiah,（以赛亚） and the Delphic Sibyl.

Delphic Sibyl

Along the southern wall, from left to right: Joel,（约耳） the Erythrean Sibyl, Ezekiel,（以西结） the Persian Sibyl, Jeremiah.（耶利米） The prophet above the altar is Jonah,（约拿） who got to be in this eye-catching spot because he is often seen as a predecessor of Jesus.
Visiting the Sistine ChapelThe chapel is located in Vatican City, a tiny independent state entirely surrounded by Rome. Entrance is free on the last Sunday of every month. Crowd alert.

[ 本帖最后由 qquchn 于 2008-8-6 08:03 编辑 ]



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